Dress Culture In A Dream Of Red Mansions

Jia Jia is a family member in the middle page of eighteenth Century. Their difference in food and clothing is quite different. and A dream of Red Mansions in Jia dress The magnificence, nobility, magnificence, character and identity all hinted at their fate in the future. Clothes & Accessories And people Of relationship From the primitive society, human beings came from primitive society, civilization was developing constantly, and people gradually had the pursuit of beauty. Dress culture To a high degree of democracy, also has the premise of the times. Just as Cao Xueqin's family weaving his family, the costumes are high-grade and specially supplied to the royal family, so he can see and know all the gorgeous costumes and their workmanship, material and so on, which lays a good foundation for the beauty of clothing in the article. In the production and selection of materials, and so on, it shows not only material, but also a lot of spiritual description, the feelings on clothing are different from others. In the dream of Red Mansions, the writer attaches great importance to writing, and each character has its own personality. No matter it is twelve Chai, even a little girl and little is not identical. The author depicts them in terms of clothing, human appearance and human heart. Clothing is the second skin of human beings. It is also a kind of pursuit of beauty. It is a continuation of beauty and a continuation of beauty. The author attaches great importance to the description of clothing here. It combines the beauty of mind, external and intelligence, makes people feel its beauty visually, and has a relative understanding of each person's identity and fate.

From the third back of Lin Daiyu's entry into the government, everything began to write. Before entering the government office, "she has seen these three and other waiting ladies. It is extraordinary to eat and wear. It can be shown here that Daiyu thought that even a servant girl was dressed so differently that her mother had said that the rich family was different from her, so that she could imagine that she had arrived at Jia Jia now, and the scene inside it would be more noble and magnificent, showing her status better. Then he suddenly saw two big stone lions sitting in the north of the street, three heads of animal heads, and dozens of people in front of the door. When I saw the old lady, I saw three people. I only said, "not for a while, I saw three milk mama and five or six servant girls. I was surrounded by three sisters. The first skin was very rich, and the body was in the middle. The cheeks were fresh, the nose greasy goose fat, gentle and silent, and looking at amiable. Second slender shoulders, a long waist, a long face, a duck's face, a handsome eye, a brow, a good looking talent, a literary talent, and a forgotten one. The third is not enough. They are seated in the seat of the hairpin. "Here is the dress of three sisters who come back from their appearance and study. From the appearance, we can see the approximate character of the three sisters. The first is gentle and silent, the other is amiable; the second are the best and the third are still small. And the clothing is simply described here, the hairpin skirt and coat, several words to describe their costumes.

It is said here that Wang Xifeng's dress can be read from the eighth granny Liu's entry into the government. When grandma Liu first met Wang Xifeng, he saw Ping Er, stunned by the clothes of Ping Er, and misunderstood that Ping ER was Wang Xifeng. Here is what is said: "grandma Liu sees Ping Er all over the body, wearing gold and wearing flowers, and having a beautiful face, so it's convenient for her to be called" grandma. " See Ping Er Chou Zhou Rui's family called him "Chou Tai Niang", Fang is only a respectable girl. At that time, the six grandmothers gave birth to an illusion, and there was a misunderstanding. After all, it was misunderstood. It can be imagined that the dress worn by the girl was all silks and satin. After the introduction of Zhou Rui's home, she saw Wang Xifeng, "Feng Jie's home with a sable Zhaojun set, surrounded by beads of beads, dressed in peach red sprinkled coat, stone green silk, chinchilla Cape, red red crepe weevil leather skirt, pink light fat Yan", so graceful and graceful, so that grandma Liu was there, and soon she would kneel down. But what she saw was their homely clothes, and they did not see any noble costumes.

It is to say that Wang Xifeng's debut is in the third time, Daiyu enters Jia's office. The old lady introduced Dai Yu to everyone in the family. After a good meeting, she heard only a hearty laugh. At this time, Wang Xifeng came out. When it came to Wang Xifeng, she was the housekeeper of the Jia family. She was dressed differently in nature, and the reason why she came late was seriously dressed up for Daiyu's coming and going. Here, and said Wang Xifeng in Daiyu's eyes, "this person is dressed differently from the girls: the splendid embroidery is like a fairy princess." On the head, they wear gold jewels and bead bun, with Chaoyang five Phoenix hanging Chai Chai, with a red gold plate on the floor, a skirt on the edge of a green palace, a pair of scales, a pair of scales, a rose flower, a body of gold, a hundred butterflies, a scarlet coat and a narrow red coat, a multicolored silk stone, a silver mouse dress, and a jade flower crepe skirt. A pair of Dan Feng triangle eyes, two curved willow leaves hanging eyebrow, slender, physique and coquettish, noodles contain spring Wei not exposed, Dan lips don't start laugh first smell. " Here she can see her elaborate dress and burning character, and also reveal the dignity of her housekeeper. Here many fine arts and crafts and their complexities are mentioned. Even the clothes she wears is also a five color silk and jade rat. In the Sui and Tang Dynasties, in the Song Dynasty and in the Qing Dynasty, the five color silk was slightly preserved. The silk was made of ripe silk. The silk was made of raw silk, and the colored silk was made of raw silk. At that time, the dyeing technology had reached a peak. At that time, yellow was the most noble color. The royal family owned a fuel made of a blue copper ore. It was a kind of high tone color, and the Silk Green was also very noble. It was second only to yellow at that time. On the forehead of Wang Xifeng, there are Zhaojun sets, also called brow eyebrow. These colors can only be seen in Wang Xifeng, Bao Yu and Jia Mu. But Wang Xifeng prefers yellow, and in later articles she often appears in yellow dress. {page_break}

In the book, he mentioned a dress that Li Wan wore. It was called "dhaus". It was a kind of cloth produced in Tibet. It was wrinkled like a piece of meat made by people. Silk is a kind of Tibetan dress. Its fur is so beaty that it looks very bad. These are just to show that Li Wan is very poor and can not afford expensive clothes.

Here, not only are the clothes of different types of people dressed, but also more complex techniques. It is also a dress made of peacock hair. Now it has a collection at the the Imperial Palace Museum in Nanjing. In a dream of Red Mansions, it is precious that it is the clothes that Jia Mu sent to Baoyu to see the guests. It was a gift from Russia. But because of the spilled fire, a hole was burnt out, and he went out to look for Russian dartsmen and domestic Tinker to darn, but no one knew the cloth, and no one dared to take the job. In this case, Qingwen can not only get sick to darn, but it has made a good example of Yong Qingwen's disease. "Qingwen took a ratio first, smiled and said," this is not very similar, but if it is added, it is not very obvious. " First, the inside is opened, and a big bamboo tree is firmly fastened to the cup surface. Then the four sides are loosened and scattered with gold. Then two stitches are cut out with the needle. Fill two needles and look at them. Helplessness and dizziness, asthenia and asthenia, unable to fill up 35 needles, resting on the pillow. Bao Yu was beside him and asked, "do you want to eat some boiled water?" At the same time, she took a chinchilla cloak for her, and at the same time gave her a pillow to lean against. Anxious, Qin Wen said, "just sleep, little ancestor. In the middle of the night, when she put her eyes away from her eyes, how did she get there? " For a moment, I only heard the bell struck four times, just after making up, and slowly using the small toothbrush to pick out the fuzz. "This is good," he said. "If you don't pay attention, you won't see it again." Baoyu looked at it and said, "it's the same." Not only did Qingwen care about Baoyu, but also she showed her love for Baoyu. She also showed her talent of color matching on clothes. At the same time, she also showed that she was very careful in seeing things so thoroughly that she could fill up such a difficult piece of clothes as perfect. If Qingwen was born in modern times, he should be a famous costume master.

There is a girl named Huang Yinger in the mansion, Xue Baochai's little girl. She is handy and can knit. Good to make small ornaments, weaving flowers blue, playing the beautiful son, Jia Baoyu used jade. It is said that she has put forward many plans for matching colors and what kind of line he uses. He has put forward many plans, but Baoyu has put forward many plans, but eventually he has the idea of Baochai. She says that she uses gold thread to weave, one is to hold the jade, and the other is to use the orthodox color, but actually wants to use this kind of complexion to hold Jia Baoyu firmly.

In the dream of Red Mansions, there is also a master of color matching - Jia Mu, who is also very sympathetic to color matching. It was written that when Jia Ma had fallen over the place where Daiyu lived, she noticed that the green bamboo was outside the Daiyu window, and the curtains were also green. She asked the girls to look for pink soft smoke to replace them, so that the red in the windows and the scenery outside were suddenly separated.

In a dream of Red Mansions, clothing is not used to keep warm and cover up shame, but to express identity and character. This custom was not only obvious at that time, but now people's living standard is not improving. The demand for clothing is also getting higher and higher. Some like to wear their name brand clothes to show their wealth. Some like to wear their fashionable avant-garde to express their unique personality. Some like cute and adorable clothes that show their students' spirit and purity. All people will express themselves according to their identity and character when they dress up.

When Mrs. Lin Daiyu came to Mrs. Wang, she saw Jia Baoyu, and saw: "on the head, wear a hair emboss, purple gold crown, and the eyebrow of the eyebrow with the dragons," and wear a two color golden butterfly, wearing a scarlet arrow sleeve, wearing a colorful silk to gather flowers, forming long spikes, and wearing the stone green to make up eight groups of Japanese brocade rows; If the mid autumn moon is like the flowers of the spring dawn, if the temples are cut like a knife, the eyebrows will be painted like ink, and the face will be like peach peas. Though angry and sometimes laughing, it means seeing and feeling. There is a golden silk with a five colored silk ribbon and a beautiful jade. This is the clothes that he went out to see the guests, and then he changed his home clothes, and saw his coronal belt: "the short hair around the head is turned into a pigtail, and the red silk ends, and the top of the middle hair is saved. The editor in chief has a large braid, black and bright paint, from top to tip, a string of four big beads, with gold eight treasure pendant angle; the body is wearing silver red satin and half old coat, and still wears a collar, Bao Yu, a life lock, amulet and other things; the following half reveals the loose FLOWER FLOWER satin trouser legs, the brocade side playing the ink socks, the thick bottom big red shoes. Wang Xifengxi is yellow before, and Baoyu is different here. His clothes are mostly red. There is no deviation from the red, and there is no deviation from the nobility. The colors here reflect the family situation of a noble son. Red is also the color of blood, representing new students. Pure red is also a very noble color.

At a time of snow and plum, white snow plum, everyone wearing a cloak, through this to more deeply show the different identities of people in the snow to admire the different costumes. Jia Mu surrounded a big cloak with a squirrel warm pocket, sitting in a small bamboo sedan chair, playing green silk oil umbrella, Yuanyang amber and so on five or six maids, everyone is holding umbrellas and sedan chairs. Jia mother and his wife came out of the east gate of the road. They looked at the four sides and made up the silver. They suddenly saw Bao Qin hanging on the hillside. Jia Mu said, "you see, this person on the hillside is also the dress, and what is this plum blossom? What is it like?" everyone laughed. "It's like the double picture of the Chou Chou Chou painted in the old lady's house." Jia Ma shook her head and laughed. "In that picture, there is this dress inside. The human can't be so good!" {page_break}

Xue Baochai wore a lotus leaf and blue striped silk pattern.

Xing Xiuyan is home clothes, no snow coat. It can be seen from her poverty that she has no money to buy new clothes and warm clothes.

Li Wan is a widow. She is very simple in dress and wears only a green duo jacket.

Daiyu was replaced with pinch of gold and red leather sheepskin boots, covered with a red sheepskin white fox's crane cloak, a green dragon, green double ring, four wishful tapes, head covered with snow caps, more and more appear her pure white and pure.

Shi Yun Yun was dressed in Jia Ma and her face of a mink, the big black black chinchilla inside and outside, and had a big gown inside and outside. On the head, he wore a Zhaojun with a big red gorilla felt, and surrounded by the big marten wind collar. Inside is wearing a half new color three set with leader autumn fragrance plate, gold, five colors, embroidered dragon, narrow and small sleeves, and small sleeves.

Miao Yu was originally a great lady. She became a nun after being a monk, so she wore plain and elegant clothes.

From here we can see that each person's hobbies, personality, status and birth are quite different.

The color and workmanship of the book are somewhat derogatory. Red, yellow, pea green and stone blue are noble colors. There are hundreds of butterflies in Wang Xifeng and Jia Baoyu, but they are degrading to Wang Xifeng. Her skirt is the pattern, and at that time peach pink is worn on some thin women. But the book said that Wang Xifeng was wearing "peach pink flower coat", but then pink, pink and red were demoted. Mrs. Wang Xifeng and Mrs. Wang gave him something in the way of attacking people, and Mrs. Wang sent jewellery and makeup to them. At that time, she was the wife of Jia Er. Mrs. Wang sent her these things here to show her recognition of the assail. It was important to let her go back home to have a face, and to show that she was a person of status and status. And Wang Xifeng sent her a leather dress, which was noble but not genuine leather. It was denounced in the side. It seemed that it was very noble, but it was only a glass vase.

The whole dream of Red Mansions has been written down. The most commonly used word in it is "red", all of which are written around a word in red, which tells them their love for "red". For example, Jia Baoyu lived in Yi Hong Yuan, where he went, and so on. He also had a "red" character. He took a brand name Jiao Yi Hongzi, and also smoked the fat on the girl's mouth. Of course, the cosmetics at that time were naturally pollution-free. But in a dream of Red Mansions, Xue Baochai only did not love red, did not love cigarette fat, and did not love flowers, mainly because she belonged to a orthodox person. And the accessories on her body are all gold and gold all over.

The characters in the dream of Red Mansions have some rebellion against society. Most of them are not orthodox yellow, but they all declare their spirit in red. At that time, the author is also such a mood, so they advocate red more. It is also one of the reasons why the story of stone has changed to a dream of Red Mansions later.

Seeing the dream of Red Mansions, we have a deeper understanding and understanding of the costumes of the characters. The costumes and personalities of the characters are closely related and indivisible. In a dream of Red Mansions, I can see that Cao Xueqin, as a weaving family, used very precise words in the description of character costumes, and concealed a lot of taboo. Red sleeves and blood and tears lead to the tragic fate of the twelve golden wives, but they all end in tragedy.