The Current Fashion Theme Indicates That China Must Have Its Own Clothing Brand.

In the 2009, the world seemed to have a passion for China. Under the background of the economic crisis, China still attracted the attention of the whole world and gained more attention.

Tracing the history of fashion, every fashion dealer holds high artistic head and claims that he stands at the forefront of the wave. The designer's self-awareness attacks people's lives in the form of brand. In this sense, fashion is the struggle for the right to speak between brands, which has created the myth of Versace and the Legend of Chanel.

But when the economic crisis has stripped flashy and complicated, the fashion that never cares about cost reveals its deeper meaning: fashion is the contention between nations.

Looking back on the past one hundred years, the rise of the United States once grabbed the supremacy of the European fashion capital, but suddenly came to the United States.

In fact, the ancient and prosperous China was once the leading fashion country in the world.

The so-called "Wei Jin" demeanor, today many people only remember metaphysical explanations. However, after textual research, we will feel strongly that it refers to a unique fashion of leisure and fashion.

This is a detailed description of the fashion editors at that time.

At that time, the popular white scarf, crane cloak, and clogs were not formal clothes, but they received pity from emperors to scholar bureaucrats, which represented the free state of leisure and the free and easy character of "Pride and pride".

Scholar Xie Wan once selected fashion style "white scarf" to see Jane Wendi, who was the prime minister at that time, and Chen Wen Di chose the picture of a scarf when he looked for a painter to paint for himself.

"Foot Xie Gong Cun, wearing a large scarf" has become the fashion industry's earliest and most influential concept of "casual wear".

Over the past thousand years, the fashion track has always maintained an ambiguous relationship with the historical context of international relations. This makes us always go back to the historical evolution of fashion brands and predict the future development.

That's why I keep saying: a rising power must have its own clothes.

China's current fashion has two themes: one is In time, the other is Fashion (Fashion).

30 years ago, Pierre Cardan walked through the streets of Beijing wearing woolen coats. The Chinese regarded it as a weird dress and was criticized by the fashion industry as Out time. Now China's fashion has gone to In.

The stage of time.

When Chinese elements are combined with fashion and foreign flavor, Chinese fashion will soon enter the stage of Front time like the economy.

Of course, we have to admit that the fashion of men's clothing is basically the same as that of suits.

A strong suit force has formed a suit index to evaluate every country.

People judged the modernization of the country based on whether the suit was the mainstream costume.

Americans have proudly stated that two countries with McDonald's will not fight, and two countries wearing suits will not fight.

This is language code, the fashionable code in international relations.