Hongkong People'S Taste: Human, Love, Wind, Customs And Scenery

The reason why Hongkong became my "city" is because of her bookstore, old district, human feelings and rambling. I once wrote: "we should learn to cherish the invisible Hongkong more, just like to a mysterious handwritten copy of a character with a bit of ink. We should be able to copy and tirelessly, so that more people can see it."

This is how Hongkong accommodates different handwriting and becomes a graffiti treasure that is drunken like the "Kowloon Emperor". It is a great labyrinth that can be seen in the middle of the night.

Hongkong relies on serious and human touch.

Luckily, this sentient and righteous Hongkong survives with its indomitable vitality and blooms its splendor.

For example, Shanghai street, which is rarely visited by tourists, the coexistence of the Republic of China style arcade, the Tang tower and the old style nightclub in the 40s and 50s of the last century coexisted with the rock band rehearsal room. One of my older boys is the last one: the big balcony and the lattice floor are magnificent. Sitting down is like sitting in the scenes of "the mood of the year". Once it opens, it becomes Zhou Xuan -- at least Zhou Mudie.

Here is another kind of bustle, another kind of bustle without money. Every time of the party, artists and alternative youths are like fish jumping out of the water, colorful and chattering.

Sometimes, we sing Kurt Cobian, sometimes we sing Sam Hui; sometimes we play the easy clothes competition, sometimes we play the old table tennis.