Classical Modern

The collar and sleeves of the blue jacket have the shadow of the nineteenth Century men's coat, but the former vest is replaced by the vest with a vest.

The arc shape of the hem is also the shadow of Renaissance men's wear.

It's a lot of fun to try to observe their works from the designers.

You can always find surprises in the process of cleaning up the prejudice and the invisible from this angle.

Look at Vita designer Malin Bengtsson's clothes is such a process.

After a long period of habit and attention to the four fashion week, after a little bit of visual fatigue, I met the stylist from Sweden.

This blue jacket waist jacket is from Vita autumn winter series.

Malin Bengtsson graduated from La Chambre Syndicale de la Couture Parisienne (Paris clothing association school), Yves Saint Saint is also a graduate here.

It seems to be the tradition of this school to find strength from the long history of clothing.

Because the collar and sleeves of the blue jacket clearly contained the shadow of the nineteenth Century men's coat, but the former vest was replaced by a vest with a jacket.

The arc shape of the hem is also the shadow of Renaissance men's wear.

MalinBengtsson's advertising style for this jacket is a striped knitted legging with a pair of slit aprons on the sides of the same fabric.

And the knitted legging is also similar to that of Renaissance men.

Of course, such a cut does not mean that Vita's coat is a retro route.

In fact, absorbing elements from men's clothing, starting with Coco Chanel and Yves Saint Laurent, is already a way to bring new styles to women's wear.

When men's formal sense is applied to women's dress, they get another impression of women.

In Malin Bengtsson's view, jackets can be worn to any occasion today, and their elegance and competence are enough to conquer all the gentlemen here.

No wonder this autumn winter series jacket will be favored by Princess Madeleine, the princess of Sweden.

If you observe carefully, you will find that the jacket designed by Malin Bengtsson does not have the usual button button cuffs, and the details also appear on the sleeves wrinkled shirt.

This design, which runs counter to the form of garment, brings a bit of classical flavor to the clothes themselves.

Even the short arc of the front of the shirt, as if it is curved, is as if echoing this classical feeling.