2015 Spring And Summer London Fashion Week First Day

　　 London Fashion week began to start. Fashion people had not yet had time to digest the high street culture in New York. They were immersed in the fashion of British blood. There were a few unexpected things on the first day of the show. One of them was that Daks was no longer "Daks".

I remember the last season's Daks used the grid again. The acme Those women who are heady, elegant, wearing headscarves and wearing sunglasses are no longer alone in this season. Instead, they use taffeta with leather pants, lustrous jacket, matching ancient High Waist Shorts, an exaggerated silk dress jacket, western style trousers, silk asymmetrical hem shirt skirt, three-dimensional cocktail skirt and perspective embroidered trousers to express their handsome and relaxed side. Filippo Scuffi completely gave up the grid, instead of using the soft material to build the hard lines, and displaying the urban texture with the low saturation of cool colors, especially the dramatic streamlined designs originated from the English classical buildings, making feminization. printing Feathers, silk, wrinkles and other elements of a new look.

The wide suit and windbreaker that draw on the inspiration of men's wear, whether classic black or fresh small broken flowers, can not conceal its succinct and loose state. Whether it is matching trousers trousers or total pattern, it shows the heart and ingenuity of the Korean designer in design. In addition to the use of men's clothing elements, the asymmetrical printed Apron Skirt has eight pairs of trousers with silk, and the printed long skirts with multiple shapes are made of wrinkles. The dramatic coloured shirts and half skirts are matched together with the exaggerated outline. Slack but still elegant, Georgia O''keeffe's craftsmanship is more unique. The profile is the designer's way of showing himself, but exquisite workmanship such as lace, lotus leaf processing and flanging makes people feel the cool quality of this spring and summer series.

The geometric pattern of black and white tones and the strong digital printing on the street form the latest design of Jean-Pierre Braganza. The suits, long skirts and casual wear are all made of geometric lines or printed parts of locomotives. Only a few of the pure color series outline the profile of different types of products in a three-dimensional sense of architecture. From Artemisia Gentiles, the design of the printing and the appearance of the attitude and streamlined tailoring, so that the clothing is unique flavor, pop means strong, without losing the sense of urban modeling.