Chinese Black Swans Flying In New York Fashion Week

If broadcast: the growth of broadcasting is a slow process of "quantitative change", then the establishment of TAORAY WANG is the result of "qualitative change" accumulated by Wang Tao over the years.

Ever since broadcast: Director of design, Wang Tao's style of dress has changed a lot.

"I have to dress properly because I want to see clients."

Because she could not find a brand that could perfectly fit the demand for dressing up and going to work, she was determined to make a high-end product line with brand positioning as "only a global leader woman".

In early 2014, TAORAY WANG came into being.

On the morning of September 8, 2014, at the SALON Hall of Lincoln center in New York, Wang Tao took TAORAY WANG to the 2015 spring and summer New York fashion week.

This release is not only the first show of TAORAY WANG brand, but also the first Chinese designer's exhibition to enter the official schedule of New York fashion week.

Many of the cutting-edge designers who have just entered the world will choose to find inspiration from the popular street sports and complex prints. Wang Tao is committed to designing decent clothes, which is good at suits and gowns, and insists on the design of a clean Oriental female beauty.

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In the first series, she chose Darren Aronofsky's movies that she enjoyed very much and the same name ballet "black swan" as inspiration.

"Natalie Portman is my inspiration, Mousika. I see from her the wisdom and flexibility of modern women, as well as their attitude towards doing things."

The whole show is calm and soft, and Wang Tao, who specializes in western style clothes design, uses a large number of masculine lines, and gives the beauty of the outline structure through the asymmetric tailoring.

If you want to shine and shine on the international stage, only good inspiration and Mousika are far from enough.

To be right

The understanding is also integrated into the design.

In the daily office dress, she used a suit to cover the shoulders of the woman. The evening dress with the fragrance of shoulder was also implicit and retractable.

The most worth mentioning is the luxurious but immodest feathered fabric design.

This inspiration comes from the elements of the black swan, which is directly applied to the long skirts worn on the ground. It is presented in red, black and white tricolor. It is completely different from the practical trousers, skirt and uniform suit in the first half of the show, which has softened the whole series's original style.

With a hard eyebrow make-up, models like a black swan in the East, with a firm head and a steady breast, are suddenly filled with the illusion of being far away from reality.

"This kind of fabric is all made by hand cutting after laser cutting, showing a feather like elegant and smart texture, but it is cool and breathless. It has no heavy feeling and is very suitable for summer wear."

Wang Tao said.

No direct exposure of sexy, no pretense of strong elements, Wang Tao's Oriental aesthetic has won the praise of foreign media.

Simon Collins, Dean of fashion design at the Parson School of design, praised Simon Collins's design for "presenting an international texture, feminine elegance, and architectural profile, but not too serious and full of fun".